photography tips

Three Photographers whose work has inspired and shaped mine.

As I continue my journey into photography, I have studied a lot of other photographers work.  I've read books and watched online tutorials.  This weeks post I wanted to talk about three photographers whose work and teachings have really guided and shaped me as I develop my visual style. 

Jay Maisel (www.jaymaisel.com) is a NYC based street photographer whose work spans decades.  His accolades are numerous and he has amassed a vast portfolio of commercial work for national companies.  Chances are you have seen Jay's work.  I love street photography.  It's not scripted or planned.  It's visceral.  I love the challenge of making order out of chaos, of capturing those moments that most people miss or don't even see.   Jay's most recent book 'Light, Color, and Gesture' changed me as a photographer.   I took away two major things from his book,  First, there is no such thing as bad light.  We have good light and challenging light but in the end it is all light.  Secondly, his quote, "Always wait for the trigger. The trigger is the final part of the puzzle, the reason you want to shoot."  To me that trigger could be anything, the expression of a person, the light, the shadow, the color, or the addition of something to a scene which a second ago was not there.  Trigger moments as I call them are everywhere we just need to learn to wait for them.  

 

I shot this in Lancaster City.  This is one of a half dozen of this woman but this one had the tigger moment which was the warm light falling onto her bright clothing.  Her posture or gesture as Jay would say is also interesting.  

 

Jerry Ghionis (www.jerryghionis.com) Jerry is a wedding photographer based in Australia, but he shoots weddings all over the world.  I recently watched a presentation of his and was blown away by how he uses found light to create stunning images.  A simple shaft of light coming in from a window will catch his eye and he will use that to create a masterful image. His posing of subjects in that light is also magical.  He creates stunning dramatic images in the worst light and conditions possible.  

 This was a shot from a friend's wedding.  I spotted this women who was framed in the overhang.  The light was soft and even and her gaze out created the feeling of wonder.  

 

Rick Sammon (www.ricksammon.com) is a landscape photographer who has traveled all over the world.  He is also a Canon Explorer of Light.  I started photography with landscapes; it is what I cut my teeth on.  It still is a large part of what I shoot and my portfolio.  I watched a presentation of Rick's and his concept of thinking like a painter has always stuck with me.  Often times, in landscape photography we have these vast marvelous scenes which present a challenge to compose and capture.  How much sky do I include?  Should I put the creek in the center of the frame or off to the left?  Rick's tool to think like a painter has always helped me approach these landscape scenes.  I will often ask myself if I were painting this what would I include?  

 

This is a portion of Wigwam Falls along the Blue Ride Parkway in Virginia.  I used my think like a painter tool to compose this scene.  The large rocks on the left side frame the water as it rushes down the rocks.  The pool of water blow draws you up the rest of the waterflow and into the image.  

I could list several other photographers both present and past who have inspired.  The three above have really impacted my work and shaped me as a photographer.  Who inspires you in your life?  Let me know in the comments and make sure to subscribe to the blog.    

 

 

 

Seek the Light

The other day, I was watching my four cats fight over a tiny sliver of sunlight coming in thru the blinds to sun themselves and sleep.  I thought to myself there's a lesson in photography.  My cats have an the amazing ability to find the tiniest spot of sunlight and plant themselves in it.  As a photographer, I need to be equally obsessed with light.  After all photography is light.  My cats don't care if it's sidelight, front light, or backlight, to them it's just a warm place to sleep.  It could be harsh, diffuse or soft.  If it's warm and sunny they find it.  

A term photographers toss around a lot is 'bad light'.  Guess what...it doesn't exist.  We only have light.  Now, certainly the light at dawn and sunset is much easier to work with than the harsh light of noon. Does that mean you can't take good pictures at noon? No, it means you have to manipulate the camera and settings to compensate for the harsh noon light, or even better yet exploit the harsh quality of the light.  I'm obsessed with light no matter what time of day.  

 

Hailey.  

Equally important than the light can be the lack of light or the absence of it.  Shadows give depth to an image.  They let you see the contours and shape of a 3D object in a 2D picture.  

 

'Isolated' Eastern State Penitentiary, Philadelphia, PA

 

Don't fight the light.  Embrace it and seek it no matter the time of day.   

 

I'd love to hear your comments below and don't forget to subscribe to the blog.  Thanks!

 

The Shot Where It All Came Together

     It's been several years since I grabbed my first camera and starting venturing out and taking pictures.  When I first started, I was online all the time watching videos, reading articles, gear reviews, really anything I could get my hands on.  It was last week, when Facebook reminded me of a photo I posted a while back where I really felt everything had come together for me and I had really created a photograph.  In the paragraphs below, I'm going to touch very briefly on the two major components of what makes a great photography and share the one shot where it came together for me. 

   At is core photography is all about exposure.  When you take a picture you are making an exposure of the light coming into the lens. Thus, exposure is governed by light so photography is all about light.  This is nothing new or earth shattering.  Making an exposure is drastically different than creating a great photograph, but I'll get to that in a minute.  Exposure is governed by three things, the aperture, or hole in the lens, the time the shutter stays open, and the ISO, or sensitivity of the sensor or film to that light.  The best book I've encountered on exposure is 'Understanding Exposure' by Bryan Peterson.  Bryan does a masterful job of explaining what I've mentioned above.  

     Here is my first exposure tip;  Set and forget your ISO.  You need to train yourself to read the light of a scene. If its bright and sunny set it to the lowest ISO you can, for me thats 100.   Overcast days is probably ISO of 400, and indoors or near dusk it can go to 800 or 1600.  ISO is very important part of the exposure but it is also the most damaging to the quality of the photos you can take as it introduces noise or grain. This is especially important if you have a cropped sensor camera like a Canon T5i or a Nikon D3200.  The smaller sensors get noisier and grainy at lower ISOs than a full frame sensor like that in a Canon 6D.  

     Now we made an exposure but guess what, our pictures are still uninspiring and not very good.  Remember, I said that making an exposure was not going to ensure a great photograph.        

     Now we move on to the 64,000 pound gorilla in the room and that is composition.  One of the greatest photographers in history, Henri Cartier-Bresson said "Composition is the strongest way of seeing."  I am 3000% convinced that you could leave your camera in Auto mode, please don't email me about how auto mode is bad, and you are correct, I seldom shoot in auto mode anymore.  I'm highlighting how many get caught up in the technical aspects of photography, I did too, and never really ask themselves what am I trying to say with this photo, what is important here.  Again, I refer to Bryan Peterson's book 'Understand Composition'.

     Oh, and before someone asks.  No, I am not getting a kickback from Bryan Peterson for promoting his books. But if he should happen to come across this post and feature it on his site, or offer me a free pass to one of his workshops I wouldn't say no.

 Composition Tip: 

     The more stuff you have in your photograph the less compelling it will be.  In other words, keep it simple.  Our brains are amazing, and they immediately cull out what isn't important. However, when they are looking at a photograph they see everything.  Our goal as photographers is to place items in the frame that keep the viewers eyes on what we felt was important.  

     As I mentioned above what really got me thinking about this was Facebook reminding me about a photo I posted a while back.  It was the first photo where I really felt it had all come together.  The location was great, the timing was perfect, the exposure was spot on and the composition strong.  

As I look at that shot again it still for me is where I felt it really all came together.  Of course, I think I could have made it better perhaps by shooting a bit lower to the ground thus getting more foreground in the image. 

I recently read a quote that applies well to photography.  

"The Master has failed more times then the beginner has even tried." 

Stephen McCraine

Our society has become so afraid of failure, we protect ourselves from it at all costs, we shelter our children from it, we don't keep score so someone doesn't feel bad when their team lost.  In photography, and probably in most anything, it's our failures that teach us the most.  I failed so many times before getting the 'money' shots.  Guess what, I still fail and still will.  That's what makes the hits so sweet 'cause you earned it. 

One final quote to leave to leave you with.  

"Your first 10,000 photographs will be your worst." 

Henri Cartier-Bresson

I don't know exactly but I pretty sure I am over that 10,000 mark so I'm hoping for many more hits as I work towards 20,000.